Cyberspace Comics market report, reviews and more

March 11, 2011

Retro-Read #49 the Eternals

Filed under: Retro-Read — Doorman @ 10:19 am

With years spent reading single issues here and there, juggling storylines of dozens of titles, I decided it was time to find a better way to read comics. So, it was off to the back issue bins armed with the longest want list you’ve ever seen! Putting together series after series and reading them in their complete goodness, I was reborn as the Retro-Reader!

Publisher: Marvel Comics
Number of Issues: 19
First Issue: July 1976 (25¢)
Last Issue: January 1978 (35¢)
Writer: Jack Kirby
Artist: Jack Kirby

*Warning! Plot Spoilers Below*

In this series, Jack Kirby offered up a fictional account of how humanity was created on Earth. He posits that the Celestials, a race of space gods, journeyed to Earth millennia ago. Conducting on the primates, they created three new species: humans, Eternals and Deviants. After their experiments, this First Host of Celestials departed for the stars.

The Eternals were thus named because they could not die. These wondrous beings could fly and developed other interesting powers. They formed their civilizations high in the mountains and some of them served as the basis for early mythology. The Eternal Prime, Zuras, made his home in Olympia – a clear inspiration for the Zeus of Mount Olympus. Other Eternals include Ikaris of the Polar Eternals, Sersi (inspiration for Circe), Makkari (or Mercury), Sprite (well-known for his part in a Shakespearean work), and Thena (daughter of Zuras).

The Deviants were a misshapen species – ugly by human standards. These misformed beasts took control of the Earth and made slaves of mankind. When the space gods came back to Earth to check on their creations, they were displeased with the Deviants’ wrathful rule. Their reign of cruelty was ended by the Second Host of Celestials and their cities were driven under the sea.

As the Deviants were forced underground, mankind then emerged as the dominant species. They began to develop great civilizations and when the Third Host of Celestials returned to Earth, the space gods inspected and cultivated these growing cultures. Primarily, they had a profound impact upon the Incas. During this time, an Eternal named Ajak (known to the Incas as Tecumotzin) served as a go-between for the Celestials and mankind. When the space gods departed for a third time, he imprisoned himself within the Incan Chamber of the Gods to await their return.

The series begins with the return of the Celestials’ Fourth Host. At the same time, a disguised Ikaris and two humans (Doctor Daniel Damian and his daughter, Margo) discover an awakened Ajak as they explore the Incan Chamber of the Gods. They bear witness to the space god, Arishem, as he descends from the Celestial space craft onto his pylon with his hand oustretched. Arishem is a planet-killer and he and his fellow Celestials will observe the Earth for the next 50 years. When that time is up, he will pass judgment on the sentient species of Earth and if they fail it will lead to the utter destruction of their world.

After establishing the main premise, the series then follows a number of different plotlines as each species reacts to the presence of the Celestials. Mankind has no idea what they are – some nations delicately probe while others prepare to attack them. The Deviants also prepare to attack the Celestials and the Eternals are hoping to improve relations between the space gods and their creations. Although, as is expected, some members of each species deviate from the actions of the majority.

In an effort to impress the Celestials, the Eternals join themselves together, creating the Uni-Mind – an embodiment of their entire species. However, upon its disassembly, the Uni-Mind unleashed strong cosmic power throughout the Earth. Some of this power infects a robotic Hulk replica that quickly goes on a rampage that is quashed by Ikaris. After defeating the Hulk replica, the Eternals find themselves battling Dromedan (a powerful Deviant bred to destroy the Eternals) and rogue Eternal, Druig. Druig’s plan to destroy the space gods is quashed and the Celestials continue to observe the Earth.

The Bad: The series was cancelled before we could even get close to the 50th year – the final judgment of the Celestials. Also, while Kirby’s art works great for fantastic concepts, I find his humans to be downright ugly. The book is also very low on characterization as it focuses more on events and its own fictional history.

the Good: Kirby is at his best when creating out-of-this-world creatures, space craft, and architecture – the concepts he laid out in this series really played to his strengths.

The Verdict: The initial concept of this series was pretty neat. What if our creator came to Earth to unleash judgment? How would we react? The groundwork is laid for a truly great storyline accompanied by a huge cast of characters. Normally, a cast this large would be a hindrance but, when dealing with a concept like this, it’s ideal for displaying all the different types of reactions this scenario would generate. However, the series begins to stagnate around the time that the Uni-Mind imbues the robotic Hulk with cosmic-powered life. At this point, the book becomes just another super-hero slugfest and leaves behind the story and concepts that made it unique. After that, it never recovered and was soon cancelled – leaving us without a resolution. What would Earth’s judgment be?

I really wish Kirby had continued to focus on Earth’s reaction to the Celestials. I feel that’s where the true “meat” of this series lies. Now, I don’t know why Eternals was cancelled – if it was due to a decline in readers, I would say that the impetus for their departure was Kirby’s move from exploring these heavier concepts into the comfortable, “tried-and-true” slugests. But, if that’s what the readers of Eternals wanted, they would have just been reading the real Hulk’s series. In the end, the lack of any resolution – coupled with the un-met, great expectations I had for such a judgment coming down upon the Earth – are not enough for me to strongly recommend this series as a “read”. Now, if you’re interested in reading it for its importance to the Marvel Universe – then that’s another story. Over the years, Marvel has incorporated many of these characters into its mainstream universe – although, it does introduce a whole host of potential continuity errors. For example, if Zuras was the inspiration for Zeus – then, how do you explain the existence of Zeus as well as the entire Greek pantheon? Also, if these giant space gods are continuing to roam the Earth while they form their judgment – then you’d think that they’d play a much larger role in the status of the current Marvel Universe. But, now, I guess I’m just being nitpicky.

Note: This series shows that comic prices increased by 10 cents in just 2 years. Now, this may not seem like very much in today’s dollars but if we consider it on a percentage basis, comic prices jumped up a whopping 40%! In contrast, the rise from $2.99 to $3.99 was a 33% increase.

On Ebay: Eternals | Jack Kirby
On AtomicAvenue: Eternals

March 10, 2011

Famous Fanmail #49 Scott McCloud

Filed under: Famous Fanmail — Doorman @ 2:34 pm

You may not be surprised to learn that most people in the comic business grew up reading comic books. However, you might be interested in knowing what they were reading. Here’s a look at “Famous Fanmail”!

Scott McCloud has advanced the understanding of comics as an artform more than almost any other creator. He’s also the creator of the highly-praised indy sensation, Zot! He got a letter printed in Coyote #8 (cover date – October 1984), exposing similar concepts between Coyote and a Joni Mitchell album.

Coyote letters page with Scott McCloud

On Ebay: Coyote | Scott McCloud
On AtomicAvenue: Coyote

March 9, 2011

Celebrity Cameos #12 President George W. Bush

Filed under: Celebrity Cameos — Doorman @ 3:26 pm

Some of the best parts of movies like Old School and Zombieland are their unexpected celebrity cameos. The same thing happens in comics, every once in a while. Here’s a look at another Celebrity Cameo!

J. Michael Straczynski’s Supreme Power re-imagined the Squadron Supreme as a great, slow-building read. In the last issue, President George W. Bush issued a call to arms for all super-powered humans.

On Ebay: Supreme Power
On AtomicAvenue: Supreme Power

March 7, 2011

One-Shot At Greatness #49 Marvel Comics: X-Men

Filed under: One-Shot At Greatness — Doorman @ 7:48 am

Because publishers want you to buy their product every month, comics are typically serial in nature. However, occasionally (and more often nowadays than ever before) publishers launch a comic title that is only meant to last for one issue. While ongoing series often have multiple chances to hook in new readers, the comics highlighted in this ongoing investigations only had One-Shot At Greatness!

Marvels Comics: X-Men #1Publisher: Marvel Comics
Cover Date: July 2000
Cover Price: $2.25
Writer: Mark Millar
Artist: Sean Phillips & Duncan Fegredo

In 2000, Marvel published a series of one-shots that revealed what Marvel Comics would be like in the Marvel Universe.

*Warning! Plot Spoilers Below*

A team of death row mutants is assembled by Colonel America of the Weapon X Program to take on covert anti-terrorist operations that the mainstream super-teams don’t want to handle. An Avengers Quinjet carrying Iron Man and the most advanced nuclear bomb has been hijacked by Doctor Strange – the self-proclaimed mutant messiah. Now, Wolverine, Cyclops, Iceman, Goblyn Queen, Mastermind and Deathbird have to take on Strange and his cannibalistic Church of the Splitting Atom. Will the team make it out alive?

Mark Millar puts together a suicide squad of X-Characters for this macho-fest. Lots of gritting teeth and tough-guy posturing. He took an interesting approach by putting villains and heroes on the X-Men team – because, really, to the average guy on the street witnessing these super-battles in the Marvel Universe – who’s going to know who’s on what side? Artwise – this book is quite bad. I don’t know whether to blame Phillips or Fegredo (because I’ve seen them both produce some nice work) so I’ll just say that perhaps the combination of their styles is just not meant to be. I think the coolest part of this story is the potential for others. Colonel America claims to have over 600 other mutants – this story concept could lead to all kinds of match-ups and high-stakes situations.

On Ebay: Marvels Comics | X-Men | Mark Millar | Sean Phillips
On AtomicAvenue: Marvels Comics

March 4, 2011

Retro-Read #48 Plastic Forks

Filed under: Retro-Read — Doorman @ 8:42 am

With years spent reading single issues here and there, juggling storylines of dozens of titles, I decided it was time to find a better way to read comics. So, it was off to the back issue bins armed with the longest want list you’ve ever seen! Putting together series after series and reading them in their complete goodness, I was reborn as the Retro-Reader!

Publisher: Epic Comics
Number of Issues: 5
First Issue: 1990 ($4.95)
Last Issue: 1990 ($4.95)
Writer: Ted McKeever
Artist: Ted McKeever

*Warning! Plot Spoilers Below*

Doctors Henry Apt and Albert Finger have been working on a revolutionary device – the Electro-Pinealator. Their creation has only been tested on apes so far but, once applied to humans, it’ll allow a man (or a woman) to self-impregnate himself. They propose that it’ll reduce birth defects, create better genetics and increase humankind’s overall health. But, it seems that progress may grind to a halt when Doctor Kaffirs (their overseeing administrator) reveals to Apt that Doctor Finger has died.

In an emotional display, Henry Apt visits the ape test subjects as he contemplates shutting down the Electro-Pinealator research. But, something goes wrong! The apes go nuts and savagely attack him. Apt wakes up days later covered head to toe in bandages. As he begins his rehabilitation, he’s told that he’s been castrated. Over a month later, he gets the feeling that something is being kept from him so he breaks free from the hospital and once he removes the bandages, he discovers that he has become the first human test subject for the Electro-Pinealator!

Now, he’s on the run from some shady men-in-black type characters who are trying to recapture their test subject for a mysterious mad scientist! They’ve also taken his wife and young son with the intentions of making them their next test subjects. Along the way, Apt makes some friends who join him in his mission to rescue his family and perhaps, save his very soul.

The Bad: This series was originally published as a set of five 60-page, prestige format comics – my least favorite, physical comic format. Luckily, it was beautifully collected into a limited, signed & numbered hardcover by Graphitti Designs.

The Good: Ted McKeever’s art is wonderful! It’s all over the board: simple and then beautifully intricate. disgusting and then emotionally resonant. This extended, 60 page format really allowed him to expand upon the subtle, quiet moments. Oftentimes, he was able to take several pages just to capture the setting or mood.

The Verdict: What a great read this was! Ted McKeever wonderfully captures the emotional journey of a scientist as he begins to realize that people are not just “plastic forks” – disposable. This adventure teaches him that very lesson – that each life can be important and can make a difference – but the lesson comes at a very steep cost. McKeever’s art is gorgeous – you can lose plenty of time analyzing many of the pages and panels that he clearly created with much painstaking thought and detail. I understand that the ‘mad scientist’ aspect of this story may lose your interest but, the real crux of this story is the emotional journey of Henry Apt – not the physical adventure.

On Ebay: Plastic Forks | Ted McKeever
On AtomicAvenue: Plastic Forks

March 3, 2011

Famous Fanmail #48 Barry Dutter

Filed under: Famous Fanmail — Doorman @ 9:38 am

You may not be surprised to learn that most people in the comic business grew up reading comic books. However, you might be interested in knowing what they were reading. Here’s a look at “Famous Fanmail”!

Barry Dutter wrote for Marvel Comics in the early 1990s, mostly for their licensed titles like Beavis & Butt-Head, Captain Planet, Ren & Stimpy and the Mighty Morphin’ Power Rangers. He got a letter published in Coyote #5 (cover date: April 1984).

Marvels Comics: Coyote letters page with Barry Dutter

On Ebay: Coyote | Barry Dutter
On AtomicAvenue: Coyote

March 2, 2011

Cyberspace Comics Market Report #7 March 2011

Filed under: Cyberspace Comics Market Report — Doorman @ 10:04 am

I’ve been selling comics in my sparetime since 2002 but I only recently started selling them on a full-time basis. March 2010 was my first full month of full-time comic sales. It’s been a fun ride and it’s allowed me to continue to maintain this daily comics blog. Here’s a look back at the previous month.

Number of listings in eBay’s “comics” section: 1,799,144 (2.60% increase from last month)
Number of those that are Cyberspace Comics listings: 6,817 (3.11% decrease)
My “market share” of comic listings on eBay: .37890% (5.57% decrease)

Number of eBay comic listings that are auctions: 105,918
Percentage of eBay comic listings up for auction: 5.89%

My current eBay feedback (unique): 10,690
My current eBay feedback (total): 22,544
My positive eBay feedback score: 99.9%

Position Dollar Sales # of Current Listings
First Underground (↑) Bad Girls (935 listings)
Second Bad Girls (↓) Marvel Comics (800 listings)
Third Marvel Comics Image Comics (661 listings)
Fourth Movie/TV Comics (↑) Other Indies (511 listings)
Fifth TPBs (↑) TPBs (440 listings)

 
Number of listings on Atomic Avenue: 1,307,477 (3.30% increase from last month)
Number of those that are in the Cyberspace Comics Store on Atomic Avenue: 25,381 (25.44% increase)
My “market share” of comic listings on AtomicAvenue: 1.9412% (21.43% increase)
My estimated “market share” of AtomicAvenue orders: 4.87%

March 1, 2011

Comic Book Cover Swipes Exposed #48 Green Lantern

Filed under: Swiped: Comic Book Cover Swipes Exposed! — Doorman @ 2:26 pm

After looking at hundreds of comic book covers, it becomes quickly apparent that not every cover is 100% original. Whether done intentionally or even underhandedly, there’s something about uncovering these “swipes” that adds a new element of fun to reading and collecting comics.

Does the power-maddened Green Lantern image to the right look familiar? It should! A similar cover was published many years before it.

Green Lantern vol. III #49
Green Lantern vol. III #49
February 1994
Darryl Banks
Green Lantern vol. IV #23
Green Lantern vol. IV #23
November 2007
Moose Baumann

On Ebay: Green Lantern
On AtomicAvenue: Green Lantern

February 28, 2011

One-Shot At Greatness #48 X-Patrol

Filed under: One-Shot At Greatness — Doorman @ 10:43 am

Because publishers want you to buy their product every month, comics are typically serial in nature. However, occasionally (and more often nowadays than ever before) publishers launch a comic title that is only meant to last for one issue. While ongoing series often have multiple chances to hook in new readers, the comics highlighted in this ongoing investigations only had One-Shot At Greatness!

X-Patrol #1Publisher: Amalgam Comics
Cover Date: April 1996
Cover Price: $1.95
Writer: Karl Kesel with Barbara Kesel
Artist: Roger Cruz

When the DC and Marvel Universes merged in Marvel vs DC, a new one was created: the Amalgam Universe. This one-shot combined Doom Patrol with X-Force.

*Warning! Plot Spoilers Below*

A soldier from the future (Niles Cable) and a wealthy, size-changing heroine from the present (Janet Van Dyne, Elasti-Girl) gather a group of heroes together in the hope of creating a different, better future for mankind. The group includes Shatterstarfire (a combination of Shatterstar and Starfire), Beastling (the Beast & Beast Boy), Dial H.U.S.K. (Husk & Dial H For Hero), and Ferro Man (Colossus & Ferro). Their first mission is to stop Doctor Doomsday before he can create an army of super-powered humans from alternate dimensions.

Here’s another standard origin story. Not only does it show the creation of the team but, a page is dedicated to each member’s origin, as well. There’s a little bit of action at the end but the real star here is characterization. Beastling and Elasti-Girl are fleshed out enough in just a few pages to create a lot of fun (and even some depth). That, coupled with the great slick art would bring me back for a second issue.

On Ebay: Amalgam | Karl Kesel | Barbara Kesel | Roger Cruz
On AtomicAvenue: Amalgam Comics

February 25, 2011

Retro-Read #47 Scene of the Crime

Filed under: Retro-Read — Doorman @ 8:25 am

With years spent reading single issues here and there, juggling storylines of dozens of titles, I decided it was time to find a better way to read comics. So, it was off to the back issue bins armed with the longest want list you’ve ever seen! Putting together series after series and reading them in their complete goodness, I was reborn as the Retro-Reader!

Publisher: Epic Comics
Number of Issues: 4
First Issue: May 1999 ($2.50)
Last Issue: August 1999 ($2.50)
Writer: Ed Brubaker
Artist: Michael Lark

*Warning! Plot Spoilers Below*

Jack Herriman is a private eye who’s seen better days. He’s moved his practice in with his Uncle Knut (a much-lauded crime photographer) and is trying to get back on his feet again. When an old friend of his father’s turns him on to a missing-persons case, it opens the door to a panoply of unresolved crimes including murder, drugs and child abuse. Jack’s determined urge to uncover the truth and the motivation behind it pushes him to risk his very life to solve this case.

The Bad: This story shows you how sick and twisted some people can become.

The Good: It’s a page-turner with plenty of twists.

The Verdict: Brubaker’s created some well-crafted pulp fiction complete with a “damaged” hero. He utilizes the comic format perfectly by ending on a cliffhanging, game-changing last page in every issue (except for the last, naturally). Lark’s style and the cover designs (along with the great logo) complement the pulp style, perfectly. If you’re into seedy detective stories, I’m sure you’ll enjoying going along for this twisty, turny ride.

On Ebay: Scene of the Crime | Ed Brubaker | Michael Lark
On AtomicAvenue: Video Jack

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